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    The box pleat series is a collection of Lamps simulating a textile silhouette with ceramics. The fall of a box pleat was digitally simulated and then assigned into lamp shades.
    The box pleat series is a collection of Lamps simulating a textile silhouette with ceramics. The fall of a box pleat was digitally simulated and then assigned into lamp shades.
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    The hemp chair of Werner AisslingerThe *hemp chair* has been designed for a lightweight manufacturing process stemming from the car industry: the renewable raw materials hemp and kenaf are compressed with a water-based thermoset binder to form an eco-friendly, lightweight and yet strong composite.
    The hemp chair of Werner Aisslinger
    The *hemp chair* has been designed for a lightweight manufacturing process stemming from the car industry: the renewable raw materials hemp and kenaf are compressed with a water-based thermoset binder to form an eco-friendly, lightweight and yet strong composite.
    Acrodur: lightweight, strong, easy-to-mold and eco-friendly The sustainable sheet material of the *hemp chair* allows the use of more than 70% natural fibers in combination with BASF’s water-based acrylic resin Acrodur. Unlike with classic reactive resins, this method releases no organic substances such as phenol or formaldehyde during the cross-link- ing process. The only by-product of the curing procedure is water. Furthermore, the industrial process of compression molding accounts for low-cost mass production of three-dimensional objects with high mechanical resistance and very low specific weight. This production method is widespread in the automobile industry. Natural fiber composites are often used in lightweight components such as door linings, glove compartments or rear shelves.
    Acrodur: lightweight, strong, easy-to-mold and eco-friendly The sustainable sheet material of the *hemp chair* allows the use of more than 70% natural fibers in combination with BASF’s water-based acrylic resin Acrodur. Unlike with classic reactive resins, this method releases no organic substances such as phenol or formaldehyde during the cross-link- ing process. The only by-product of the curing procedure is water. Furthermore, the industrial process of compression molding accounts for low-cost mass production of three-dimensional objects with high mechanical resistance and very low specific weight. This production method is widespread in the automobile industry. Natural fiber composites are often used in lightweight components such as door linings, glove compartments or rear shelves.
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    HELMRINDERKNECHT contemporary design featuring WashHouse, a project by Studio Makkink & BeyExclusively for gallery HELMRINDERKNECHT Studio Makkink & Bey has created a site-specific walk through the three- dimensional landscape of a rural village. Mohair woollen blankets hanging on a clothesline give shape to the space and divide it. Individually woven patterns and lines become a house’s exterior walls or reflect the imagery of the surrounding landscape.
    HELMRINDERKNECHT contemporary design featuring WashHouse, a project by Studio Makkink & Bey
    Exclusively for gallery HELMRINDERKNECHT Studio Makkink & Bey has created a site-specific walk through the three- dimensional landscape of a rural village. Mohair woollen blankets hanging on a clothesline give shape to the space and divide it. Individually woven patterns and lines become a house’s exterior walls or reflect the imagery of the surrounding landscape.
    The installation “WashHouse” traces our sensual and experiential perception of private and public spaces. Woollen blankets are the design objects through which space is defined, with inner and outer mirroring one another. Like houses, woollen blankets offer human beings protection and shelter. Taking care of warmth and security, they are roofs over our heads and tuck us comfortably in. Both roof and blanket enable and create private, protected moments.
    The installation “WashHouse” traces our sensual and experiential perception of private and public spaces. Woollen blankets are the design objects through which space is defined, with inner and outer mirroring one another. Like houses, woollen blankets offer human beings protection and shelter. Taking care of warmth and security, they are roofs over our heads and tuck us comfortably in. Both roof and blanket enable and create private, protected moments.
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    Poetry from Berlin


    Charles Bukowski: ‘Poetry is what happens when nothing else can.’

    Design as a creative discipline always floats between pure culture and an applied profession that fulfills industrial needs.
    Our exhibition project emphasizes the experimental ‘making’-oriented cultural path of design. As every year, Milan is the best place to showcase these new concepts and researches. Our exhibition POETRY HAPPENS displays authentic, archetypal projects, prototypes and installations with a narrative design quality. Poetry as a headline gives every invited designer, architect and artist the freedom of his / her personal approach and interpretation of his / her work related to poetry.

    Poetry transferred into the world of design can be:
    The poetry of making by emphasizing the personality of the maker or the unique and individual strategy of the creator behind an object.

    The poetry of collages combines readymades or parts, principles and mechanics of existing ‘everyday’-products into hybrid objects with a new life-cycle that, unlike standard industrial production, also shows signs of usage. The poetry of prototyping: process models, mock-ups and regular prototypes generate the story and evolution of creating – a narrative quality with often a bigger impact than the final product.

    The poetry of materials and technology experiments is the engine of the continuous evolution of design. The history of design would be blank and just a formal discipline without the quantum leaps in materials and technologies.

    The poetry of spaces and installations expands the pure object’s existence into space and environments which finally every object has to deal with.

    The poetry of sustainability begins when design objects tend to achieve an archetypal long lasting quality with a maximal visual continuity: classic pieces and long runners in the market won’t absorb new resources.

    text via www.poetry-happens.com


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